REPRESENTASI DOMINASI PEREMPUAN DALAM FILM THE SHADOW STRAYS: ANALISIS SEMIOTIKA JOHN FISKE

Authors

  • Muhammad Hilman Zafiri UPN Veteran Jawa Timur
  • Ririn Puspita Tutiasri UPN Veteran Jawa Timur

DOI:

https://doi.org/10.23969/jp.v11i03.64133

Keywords:

Representation, Female Dominance, John Fiske's Semiotics, The Shadow Strays

Abstract

This study analyzes the representation of female dominance in the 2024 Netflix film The Shadow Strays, directed by Timo Tjahjanto, using John Fiske's semiotic approach encompassing three levels of analysis: reality, representation, and ideology. The film features a female protagonist, Nomi, a hired assassin who dominates masculine spaces within the action genre. Through analysis of 23 selected scenes covering visual, cinematographic, and narrative elements, this study finds that female dominance is consistently represented through masculine costuming and makeup, camera techniques positioning women in strategic and superior roles, and dialogue that systematically subverts patriarchal expectations. At the ideological level, the film advances feminist values by depicting an organization entirely led by women and moral conflicts resolved without male intervention. This study contributes to understanding how film media shapes public discourse on gender equality, particularly through the representation of female masculinity in contemporary Indonesian cinema, while offering insights for the film industry to continue producing strong, ideologically grounded narratives centered on women.

Downloads

Download data is not yet available.

References

Gill, R. (2007). Gender and the media. Polity Press.

Halberstam, J. (2019). Female masculinity. Duke University Press. https://doi.org/10.2307/j.ctv11cwb00

Hall, S. (2003). Representation: Cultural representations and signifying practices (2nd ed.). Sage Publications.

Kaplan, E. A. (2003). Feminism and film. Oxford University Press.

Khoerunnisa, N. (2024). Representasi maskulinitas perempuan dalam film (Analisis semiotika John Fiske pada film Article 370) [Skripsi, Universitas Sangga Buana YPKP].

Mulvey, L. (1975). Visual pleasure and narrative cinema. Screen, 16(3), 6-18.

Negra, D. (2009). What a girl wants? Fantasizing the reclamation of self in postfeminism. Routledge.

Octavianti, R., Sari, D. P., & Wijaya, A. (2025). Representasi dominasi perempuan dalam film Indonesia kontemporer. Jurnal Studi Gender dan Media, 12(1), 78-95.

Pramudita, S. A. (2022). Dekonstruksi stereotip gender dalam film superhero: Analisis representasi Wonder Woman. Jurnal Media dan Gender, 8(2), 123-140.

Rosener, J. B. (2011). America's competitive secret: Women managers. Oxford University Press.

Sugiyono. (2018). Metode penelitian kuantitatif, kualitatif, dan R&D. Alfabeta.

Supratman, P. L. (2012). Representasi citra perempuan di media. Citra Perempuan dalam Media, 10(1), 29-40.

Walby, S. (2009). Women, feminism and media. Edinburgh University Press.

Downloads

Published

2026-08-04