WACANA OBJEKTIFIKASI PEREMPUAN DALAM KONTEN VIRAL “UNBOXING MAHAR” DI TIKTOK
DOI:
https://doi.org/10.23969/jp.v11i03.62803Keywords:
female objectification, TikTok, digital discourse analysisAbstract
The rapid growth of social media, particularly TikTok, has turned the platform into more than a space for entertainment; it has become an arena where meanings about women are socially constructed. This phenomenon is evident in the viral “Unboxing Mahar” content, which tends to portray women as objects assessed through the material value of the dowry given to them. This study aims to examine how the discourse of female objectification is constructed within “Unboxing Mahar” content and how audiences respond to it. A qualitative approach was employed through digital discourse analysis, examining four dimensions: text, context, action and interaction, and ideology and power. Data were collected through observation of five TikTok contents and a review of relevant literature. The findings show that “Unboxing Mahar” content functions not merely as entertainment but also carries symbolic meaning that positions women as commodities valued according to material worth, a construction reinforced by patriarchal ideology and the attention-based logic of digital capitalism. Audience responses were divided between critical rejection and humorous acceptance, indicating that the discourse is actively reproduced rather than passively received. This study concludes that social media plays a significant role in shaping and disseminating discourse on female objectification, underscoring the need for critical awareness in producing and consuming digital content.
Downloads
References
Berger, J. (2008). Ways of seeing. Penguin UK.
Berberick, S. N. (2010). The objectification of women in mass media: Female self-image in misogynist culture. The New York Sociologist, 5, 1–13.
Bourdieu, P. (1991). Language and symbolic power. Harvard University Press.
Fairclough, N. (1995). Critical discourse analysis: The critical study of language. Longman.
Fredrickson, B. L., & Roberts, T. A. (1997). Objectification theory: Toward understanding women's lived experiences and mental health risks. Psychology of Women Quarterly, 21(2), 173–206. https://doi.org/10.1111/j.1471-6402.1997.tb00108.x
Jones, R. H., Chik, A., & Hafner, C. A. (2015). Discourse and digital practices: Doing discourse analysis in the digital age. Routledge.
Khairah, H., & Tambunan, S. M. G. (2019). Teknologi digital sebagai media objektifikasi perempuan: Kajian kritis media sosial. Jurnal Muara Ilmu Sosial, Humaniora, dan Seni, 3(2), 503–508.
Koentjaraningrat. (2009). Pengantar ilmu antropologi. Rineka Cipta.
Nasrullah, R. (2016). Media sosial: Perspektif komunikasi, budaya, dan sosioteknologi. Simbiosa Rekatama Media.
Nussbaum, M. C. (1995). Objectification. Philosophy & Public Affairs, 24(4), 249–291.
Sinulingga, K. N. V. P., Sunarto, & Santosa, H. P. (2023). Analisis resepsi khalayak terhadap objektifikasi perempuan dalam serial Netflix “Squid Game”.
Sugiyono. (2021). Metode penelitian kuantitatif, kualitatif, dan R&D. Alfabeta.
Van Dijck, J. (2013). The culture of connectivity: A critical history of social media. Oxford University Press.
Van Dijk, T. A. (2013). Discourse and knowledge: A sociocognitive approach. Cambridge University Press.
Walby, S. (1990). Theorizing patriarchy. Basil Blackwell.
We Are Social. (2025, Mei). Indonesia digital report 2025: TikTok. https://goodstats.id/publication/indonesia-digital-report-2025-tiktok-x37UH
Zuboff, S. (2019). The age of surveillance capitalism. PublicAffairs.
Downloads
Published
Issue
Section
License
Copyright (c) 2026 Pendas : Jurnal Ilmiah Pendidikan Dasar

This work is licensed under a Creative Commons Attribution 4.0 International License.