KONSTRUKSI MAKNA SOLIDARITAS PERSAUDARAAN DALAM FILM PERTARUHAN MELALUI (ANALISIS SEMIOTIKA ROLAND BARTHES)

Abstract

As a medium of mass communication, film serves not only as entertainment but also as a reflection of social values evolving within society. One frequently portrayed value is fraternal solidarity. The film Pertaruhan by Krishto Damar Alam chronicles the struggles of four siblings facing various life conflicts in their effort to fund their father's medical treatment. This study aims to identify and understand the representation of fraternal solidarity in the film Pertaruhan. It employs a descriptive qualitative approach utilizing Roland Barthes' semiotic analysis method. The research data consist of scenes, dialogue, character expressions, and visual signs that embody the meaning of fraternal solidarity. Data collection was conducted through observation and documentation on sixteen scenes selected based on indicators of togetherness, loyalty, empathy, sacrifice, cooperation, and family responsibility. The analysis involved identifying the denotative, connotative, and mythic meanings present in relevant scenes. Roland Barthes' semiotic theory was selected for its ability to reveal layered meanings through denotation, connotation, and myth, thereby elucidating not only visually apparent meanings but also the symbolic significance and ideological values constructed within the film. The concept of solidarity in this study draws upon Emile Durkheim's theory of social solidarity, which views solidarity as a social bond forged through togetherness, responsibility, and attachment among group members. The study concludes that the film Pertaruhan represents fraternal solidarity as a social force constructed through visual and verbal signs carrying denotative, connotative, and mythic meanings, while simultaneously affirming the importance of care, responsibility, and sacrifice in family life.

Keywords: Film, Fraternal Solidarity, Family, Roland Barthes Semiotics