Journal Sampurasun : Interdisciplinary Studies for Cultural Heritage https://journal.unpas.ac.id/index.php/sampurasun <p align="justify"><strong>Journal Sampurasun : Interdisciplinary Studies for Cultural Heritage&nbsp;with ISSN: 2460-5743 (e-ISSN) and 2460-5735 (print) is an international refereed e-journal&nbsp;</strong>written in English<strong>.&nbsp;It&nbsp;</strong>is a double-blind peer-reviewed, published in two issues per year (June and December) and scientific journal published by Unpas and Supported by University of Northern Philippines (UNP), Universiti Utara Malaysia, (UUM) Chonbuk National University (CBNU), Adam Mickiewicz University in Poznań(AaM), Derby University (United Kingdom).</p> <p align="justify">The purpose of the journal is to bring a wide spectrum of participants to disseminate research findings of academicians, national and local government units, non-governmental organizations, heritage conservation practitioners and planners, tourism organizations, and the media. Specifically, ISCH intends to discuss and exchange knowledge on preservation and revitalizing culture, values, and&nbsp; best practices of people in the world. ISCH also caters to recent challenges and opportunities for saving treasured culture and values. Its scope encompasses the thematic as follows:&nbsp;<strong>Social and Humanity:&nbsp;</strong>Social Work, Sociology, Law, Education, Public Administration, Business Administration, Communication, International Relation, Management, Culture and Art, Anthropology, History, Women Studies, Hospitality and Tourism.&nbsp;<strong>Engineering:&nbsp;</strong>Environmental Engineering, Informatics Engineering, Urban and City Planning, Industrial Technology and Food Technology.</p> en-US <p style="margin: 0cm; margin-bottom: .0001pt; text-align: justify;"><strong><span style="font-size: 10.5pt; font-family: 'Arial','sans-serif'; color: black;">Copyright Notice</span></strong></p> <p style="margin: 0cm; margin-bottom: .0001pt; text-align: justify;"><span style="font-size: 10.5pt; font-family: 'Arial','sans-serif'; color: black;">Authors should not withdraw their submitted papers because the withdrawal wastes voluntary works devoted by an associate editor and reviewers. But, we accept the withdrawal of a submitted paper if authors have unavoidable reasons. In the event that a manuscript is to be withdrawn from submission to Sampurasun Journal, a letter must be sent to the editorial office requesting withdrawal by e-mail (sampurasunjournal@unpas.ac.id) with its scanned PDF file, before the notification of acceptance for publication.</span></p> <p style="margin: 0cm; margin-bottom: .0001pt; text-align: justify; font-variant-ligatures: normal; font-variant-caps: normal; orphans: 2; widows: 2; -webkit-text-stroke-width: 0px; text-decoration-style: initial; text-decoration-color: initial; word-spacing: 0px;"><span style="font-size: 10.5pt; font-family: 'Arial','sans-serif'; color: black;">The withdraw request letter must include the following information. Paper ID, Paper title, Authors names, Reason why the paper must be withdrawn, and Date and signatures of all the authors (or signature of the contact author).</span></p> <p style="margin: 0cm; margin-bottom: .0001pt; text-align: justify; font-variant-ligatures: normal; font-variant-caps: normal; orphans: 2; widows: 2; -webkit-text-stroke-width: 0px; text-decoration-style: initial; text-decoration-color: initial; word-spacing: 0px;"><span style="font-size: 10.5pt; font-family: 'Arial','sans-serif'; color: black;">If only the contact author signs the letter, he/she must obtain the agreement of the withdrawal from all the other authors and the letter must include the description that all the other authors agreed the withdrawal. The journal will not withdraw a manuscript from peer review until such a letter has been received. Authors must not assume their manuscript has been withdrawn until they have received appropriate notification from the editorial office. Withdrawal of a manuscript subsequent to acceptance for publication will only be granted in the most exceptional of circumstances.</span></p> <p style="margin: 0cm; margin-bottom: .0001pt; text-align: justify; font-variant-ligatures: normal; font-variant-caps: normal; orphans: 2; widows: 2; -webkit-text-stroke-width: 0px; text-decoration-style: initial; text-decoration-color: initial; word-spacing: 0px;"><span style="font-size: 10.5pt; font-family: 'Arial','sans-serif'; color: black;">After the paper is accepted for publication, the withdrawal is not permitted in principle. The authors must always pay the charge even if the withdrawal is permitted.&nbsp; Any request of withdrawal that does not follow the above procedure is treated as invalid. If illegal submission, e.g., plagiarized or duplicate submission, is found for a paper, the withdrawal of the paper will never be permitted and the authors will be punished based on the rule. It is not acceptable practice to withdraw a manuscript in the event of acceptance at another journal. This constitutes dual submission. The editorial office of the other journal will be notified of your actions. In such circumstances Sampurasun ISCH may chose to impose appropriate punitive action subject.</span></p> <p style="margin: 0cm; margin-bottom: .0001pt; text-align: start; font-variant-ligatures: normal; font-variant-caps: normal; orphans: 2; widows: 2; -webkit-text-stroke-width: 0px; text-decoration-style: initial; text-decoration-color: initial; word-spacing: 0px;"><strong><span style="font-size: 10.5pt; font-family: 'Arial','sans-serif'; color: black;">Withdrawal Penalty</span></strong></p> <p style="margin: 0cm; margin-bottom: .0001pt; text-align: justify; font-variant-ligatures: normal; font-variant-caps: normal; orphans: 2; widows: 2; -webkit-text-stroke-width: 0px; text-decoration-style: initial; text-decoration-color: initial; word-spacing: 0px;"><span style="font-size: 10.5pt; font-family: 'Arial','sans-serif'; color: black;">Author is not allowed to withdraw submitted manuscripts, because the withdrawal is waste of valuable resources that editors and referees spent a great deal of time processing submitted manuscript, money and works invested by the publisher. If author still requests withdrawal of his/her manuscript when the manuscript is still in the peer-reviewing process, author will be punished with paying $200 per manuscript, as withdrawal penalty to the publisher. However, it is unethical to withdraw a submitted manuscript from one journal if accepted by another journal. The withdrawal of manuscript after the manuscript is accepted for publication, author will be punished by paying US$500 per manuscript. Withdrawal of manuscript is only allowed after withdrawal penalty has been fully paid to the Publisher. If author don't agree to pay the penalty, the author and his/her affiliation will be blacklisted for publication in this journal. Even, his/her previously published articles will be removed from our online system.</span></p> yucesp@unpas.ac.id (Yuce Sariningsih) tatangh098@unpas.ac.id (Tatanng Hidayat) Fri, 28 Jun 2024 11:42:14 +0700 OJS 3.2.1.4 http://blogs.law.harvard.edu/tech/rss 60 CULTURAL RELATION ON DISCOURSE MARKERS IN PUNCHLINES ON RICKY GERVAIS’ SUPERNATURE STAND-UP COMEDY SHOW https://journal.unpas.ac.id/index.php/sampurasun/article/view/13700 <p>This research investigates the intricate functions of discourse markers (DMs) in Ricky Gervais' stand-up comedy, exploring their alignment with humour theories and their impact on punchline delivery. The purpose of this research is (1) to define the categories and functions of DMs utilised by Ricky Gervais in formulating punchlines and (2) to define the application of DMs in the punchlines within the framework of three theories of humour. The data was obtained from Ricky Gervais’ Stand-up Comedy Show entitled “SuperNature” on Netflix. A qualitative descriptive was applied. The theoretical basis of this research is Brinton’s theory which entails the category and function of DMs and Raskin’s theory regarding the creation of humour. Through examination, the research reveals that Gervais employs a diverse set of DM functions to navigate and enrich his comedic narratives, including the textual and interpersonal categories. The textual category, specifically on DM as an information indicator, indicates the highest overall outcome, with 18%. Moreover, their appearance showcases the dynamic role of DMs in appealing to humour theories. It can be shown that DM commonly appeared in the punchlines on the show, reaching a significant number of 46% in the incongruity category, aiding and amplifying punchlines.</p> Azzahra Amalia, Heri Heryono Copyright (c) 2024 Journal Sampurasun : Interdisciplinary Studies for Cultural Heritage http://creativecommons.org/licenses/by/4.0 https://journal.unpas.ac.id/index.php/sampurasun/article/view/13700 Fri, 28 Jun 2024 00:00:00 +0700 ETHNOGRAPHY OF CULTURAL COMMUNICATION WAYANG GOLEK MADE FROM WASTE IN BOGOR CITY, WEST JAVA https://journal.unpas.ac.id/index.php/sampurasun/article/view/13761 <p>This research discusses the cultural communication of wayang golek performances made from<br />waste in Bogor City, West Java. In the midst of the phenomenon of cultural degradation in big<br />cities, Sanggar Edas Bogor City is still maintaining the existence of wayang golek, especially<br />maintaining cultural preservation while caring for the environment. This research uses an<br />ethnographic communication approach which consists of three stages, communicative situations,<br />communicative events, and communicative actions. This research, which was conducted from 2023<br />to 2024, used descriptive qualitative research methods through observation data collection,<br />interviews and documentation studies. The research results show that the three stages of the<br />ethnographic communication study model, namely the communicative situation, explain that the<br />conditions when communication occurs in a wayang golek performance are adjusted depending on<br />the place, time or communication activities in a wayang golek performance. The second stage,<br />namely communicative events, explains that communicative events include all of the components<br />and complete devices, starting from the purpose of communication, common topics through<br />messages related to awareness of environmental damage due to uncontrolled waste, involving<br />participants who use the same language varieties, maintaining Sundanese language rules. the same<br />way to interact in a wayang golek performance. And the third stage, namely communicative action,<br />is the process of exchanging environmental messages, ideas and feelings between the puppeteer<br />and the audience</p> Dhini Ardianti, Muhammad Fariz Copyright (c) 2024 Journal Sampurasun : Interdisciplinary Studies for Cultural Heritage http://creativecommons.org/licenses/by/4.0 https://journal.unpas.ac.id/index.php/sampurasun/article/view/13761 Fri, 28 Jun 2024 00:00:00 +0700 CLUSTERING SUNDANESE CULTURAL ARTICLES ON GOOGLE SCHOLAR: A BIBLIOMETRIC REVIEW https://journal.unpas.ac.id/index.php/sampurasun/article/view/11431 <p>This study aims to analyze the bibliometric characteristics of articles on Google Scholar indexed Sundanese Culture published in 2016-2021 which were accessed in June 2022. Methods: We conducted a bibliometric analysis and published content in the Google Scholar database. Results: Based on the specified protocol, 219 articles about Sundanese culture over the last 6 years met the inclusion criteria. The frequency of articles is spread across 195 national and international journals with the use of Indonesian language articles 153 articles (70%) and 67 articles (30%) using English. Three ranks of affiliated institutions that are productive in publishing articles on the theme of Sundanese culture, namely Padjadjaran University (39 articles), Universitas Pendidikan Indonesia (21 articles) and Universitas Islam Negeri Sunan Gunung Djati (21 articles). Conclusion: Over the last 6 years scientific publications on the theme of Sundanese culture have provided an overview of the dynamics and value factors of local wisdom identity and cultural preservation in the aspects of art, language, tourism development, character education and cultural and religious synergy between Sundanese and Islam. In terms of various scientific backgrounds and/or study programs, researchers see that the field of communication studies is the most productive "trend" in studying Sundanese cultural themes, so that there is an opportunity to foster further discussion and research on Sundanese culture in certain disciplines and/or in an interdisciplinary manner. multi or cross disciplinary can be a common concern.</p> Iwan Ridwan Zaelani, Muhammad Budiana Copyright (c) 2024 Journal Sampurasun : Interdisciplinary Studies for Cultural Heritage http://creativecommons.org/licenses/by/4.0 https://journal.unpas.ac.id/index.php/sampurasun/article/view/11431 Fri, 28 Jun 2024 00:00:00 +0700 ACADEMIC WRITING 2.0: STUDENTS’ PERCEPTIONS ON ACADEMIC WRITING WITH BLENDED LEARNING MODE https://journal.unpas.ac.id/index.php/sampurasun/article/view/13810 <p>This research explores students' perceptions of implementing a Blended Learning model in an academic writing course to address challenges in foreign language academic writing. 40 respondents participated, and mixed-methods, including WEBLEI Survey and Case Study 2.0 frameworks, were employed. Data collection involved tests, surveys, asynchronous interviews, and Focus Group Discussions. Statistical analysis indicated positive student attitudes, with mean scores for Interaction, Access, Response, and Result on the WEBLEI Scale being 3.85, 4.12, 4.07, and 4.10, respectively. Results suggest that students benefitted from flexibility in learning processes, access to learning, satisfaction with the learning environment, and pace of learning in the Blended Learning model.</p> Senny Suzanna Copyright (c) 2024 Journal Sampurasun : Interdisciplinary Studies for Cultural Heritage http://creativecommons.org/licenses/by/4.0 https://journal.unpas.ac.id/index.php/sampurasun/article/view/13810 Fri, 28 Jun 2024 00:00:00 +0700 TABOO WORDS IN 33 MINUTES OF CHRISS ROCK YOUTUBE VIDEO: SOCIOLINGUISTICS STUDY https://journal.unpas.ac.id/index.php/sampurasun/article/view/13702 <p>This research aims to classify types of taboo words and analyze the function of taboo words in Chris Rock's 33-minute YouTube channel; This research aims to classify types of taboo words and analyze their functions in Chris Rock's 33-minute YouTube performance. The study is based on the theories of Batistella (2005) and Raymond D. Liedlich (1973). Using a qualitative descriptive method, the data was sourced from the Laugh Planet YouTube Channel. The findings reveal three types of taboo words: obscenity, epithet, and profanity. Specifically, there were 3 instances of obscenity (1.7%), 1 epithet (5%), and 1 profanity (5%). Additionally, four functions of taboo words were identified: creating attention, endearment, discredit, and providing catharsis. The analysis found 2 instances of creating attention (2.5%), 1 of endearment (5%), 1 of discredit (5%), and 1 of providing catharsis (5%). Among these, obscenity was the most frequently used type of taboo word, while creating attention emerged as the most common function. The study underscores the prevalence and diverse roles of taboo language in comedic performances, highlighting how such words are strategically employed to engage audiences, express affection, criticize, and release emotions. Chris Rock's skillful use of taboo language not only enhances his comedic impact but also reflects broader linguistic and social dynamics. This research contributes to a deeper understanding of the nuanced ways in which comedians use taboo words to connect with their audiences and convey complex messages, ultimately enriching the discourse on language and humor in contemporary media.</p> Siti Umi Sholeha, Ervina CM Simatupang Copyright (c) 2024 Journal Sampurasun : Interdisciplinary Studies for Cultural Heritage http://creativecommons.org/licenses/by/4.0 https://journal.unpas.ac.id/index.php/sampurasun/article/view/13702 Fri, 28 Jun 2024 00:00:00 +0700 VALUE BASED MANAGEMENT AT KELOMPOK USAHA BERSAMA (KUBE) https://journal.unpas.ac.id/index.php/sampurasun/article/view/13340 <p>Joint Business Group/<em>Kelompok Usaha Bersama</em> (<em>KUBE</em>) is a business scheme launched in 2010 by the Ministry of Social Affairs for underprivileged families who received social assistance from the Family Hope Program (<em>PKH</em>), with the idea that they will no longer depend on social assistance. <em>KUBE</em> has not yet achieved its goals due to low business management capabilities, weak entrepreneurial culture which has resulted low economic empowerment and performance level. This reason as an urgent need for research and development to analyze phenomena and find solutions for better <em>KUBE</em> performance. The aim of the research is to describe and analyze the value based management at <em>KUBE </em>in Bandung City. This research resulted a new findings related to the stages of determining the assumptions and legal basis used, formulating concepts and proving them into the analytical implementation of <em>KUBE</em>. This implementation was supported by the West Java Provincial Social Service Board in the form of providing data, information on the implementation of <em>KUBE</em> and facilitating the presentation of research reports. The method used is a qualitative approach with TKT at level 3. The main research output is publication on Sinta 1 or Sinta 4 and the additional outputs is a book chapter. </p> Yuce Sariningsih, Ali Anwar, Aisyah Hasna Mardlhiyah, Angelique Margaretha Copyright (c) 2024 Journal Sampurasun : Interdisciplinary Studies for Cultural Heritage http://creativecommons.org/licenses/by/4.0 https://journal.unpas.ac.id/index.php/sampurasun/article/view/13340 Fri, 28 Jun 2024 00:00:00 +0700